Horus might be one of the worlds most sonically transparent Mic Pre’s.
Horus might also be one of the most phenomenal AD/DA boxes on the market.
Horus could very well be the ultimate answer to anyone wanting Analogue/AES/MADI interconnectivity in the room they work in. It is a revolution in “bang for buck” technology and is set to become the defacto audio I/O device for the media industries...
But in reality Horus is much, much more:
Using Ravenna technology, Horus brings to the table the possibility to interconnect your entire facility using nothing more than a standard RJ45 connector. Once in Ravenna mode, the Horus box simply becomes a node on a network, one that can be instantly called to be an input, an output, or a combination of both. Whether you are in broadcast, TV and film, CD/SACD mastering, studio or live music recording, live events, theatres, museums, cruise ships, or any industry where you need audio to get from A to B (or A to B and C, or C to A and part of D, E, and F!).
Using standard network connections, switches and connectors, Horus and other Ravenna-enabled devices can be placed on a network and interconnected IN ANY WAY YOU CAN IMAGINE.
Features
Up to 24 World Class Mic Preamps in a 2U chassis
Remote controllable gain over Ethernet
Integrated control and routing with the Pyramix Mixer interface
24 AD/DA converters capable of samplerates from 44.1 to 384kHzDXD /DSD
Low Power “Green” build perfect for power conscious installations
Auto-Mute circuitry for power cycling click prevention
Comes standard with 1xMADI, 24xAES and Ravenna I/O
Sync (LTC/MIDI/RS422) over Ethernet
Front panel touch-screen interface for local control over routing/gains/sync
The Trinnov SmartMeter offers the most important tools that you need to make sure your program can be broadcasted or delivered:
Loudness Meter (EBU R128)
Peak Meter (sample-peak)
Quasi-Peak Meter (DIN 45406)
Multiple Display Options
Use a small 8" touch monitor or a large 17" touch monitor at your convinience. Or simply connect your favourite monitor & mouse.
Fully compliant EBU R128 Loudness Meter
The Trinnov Loudness Meter implements momentary, short term, integrated loudness measurements, as well as loudness range, as specified in the new EBU R128 recommendation.
It displays all the loudness measurements in a single window:
Momentary loudness (400ms integration time) in the form of a bargraph
Short term loudness (3s integration time) in the form of a history graph
Integrated loudness (with -8LU relative gating) in the form of a numeric value
Loudness Range, a highly meaningful statistical value regarding the dynamics of the program
New Trinnov Audio expandable hardware platform
Trinnov Audio launch his new expandable hardware platform that can handle any multichannel format and any loudspeaker layouts from 2.0 to 22.2. In addition to the extensive built-in processing tools, MC Processors are designed to host optional software modules such as the Optimizer and/or the SmartMeter.
Merging Pyramix 7
Pyramix 7 the most advanced digital audio workstation. It offers unsurpassed sonic quality and a level of flexibility proven by its suitability and acceptance in post production, multi-channel live music recording, broadcast radio and CD/DSD music mastering. Read more ...
Merging VCube 3
SD/HD video player/recorder for Editing, Ingest, Screening, Scoring ADR, Live events, Audio-Post, VTR replacement.
With full support for Dolby E decoding and playback, Sony 9-pin (P2 Protocol) over IP and a completely re-written user manual VCube Version 3 builds on the success of earlier versions. Already an established and vital part of the sound-for-picture workflow in film and television facilities all over the world, V3 further enhances versatility, speed and convenience.
Merging Pyramix Native
Pyramix Native is a software only version of Pyramix that meet the needs of radio broadcasters, small post facilities, midi studios and CD mastering houses requiring a professional, but low cost, or portable solution to their audio recording, editing, mixing and mastering needs. You can now specify Pyramix Native in the same way as the main Pyramix system with the same application specific software packs for Post, Mastering, Music and Broadcast.Running on any suitable Windows® XP or Vista® desk-top or lap-top PC Pyramix Native retains all the real-time editing and mixing capabilities of Merging’s main Pyramix system and supports all the same audio formats including PMF, WAV, BWF, AIFF, OMF and CD Image files that can be mixed within the same project.
Ovationmulti-format media server and sequencer for applications ranging from theatre playout, live events, fixed installations, hotels, cruise ships, theatres, museums and exhibitions, corporate AV, television and radio production to name but a few.
Avid System 5 - High-performance, scalable, large-format digital audio console
Overview
Get high-performance digital audio mixing in a standalone system specifically designed for the ultra-demanding worlds of audio post-production and professional music production. With System 5, you have power on demand to mix the biggest feature films or album projects in an advanced system that represents the pinnacle of digital audio console design, with a powerful DSP SuperCore engine and industry-leading ergonomics. Mix faster and easier with layouts of surface configurations, flexible routing, advanced automation with snapshot recall, touch-sensitive LED color-coded rotary encoders and high-resolution TFTs, which provide rich visual feedback for metering, routing, and processing.
In addition, you can add the EUCON Hybrid option to extend the control capabilities of the console beyond the dedicated DSP SuperCore, enabling you to bring audio tracks from multiple Digital Audio Workstations (DAWs) onto the console surface for mixing, through high-speed Ethernet control. You get the best of both worlds—a dedicated, powerful DSP processing/automation system and deep hands-on control over multiple EUCON-enabled DAWs.
Key Features
Expandable DSP SuperCore can accommodate over 450 audio channels, each fully resourced with EQ, dynamics, Aux sends, panning, and routing
Modular control surface with up to 112 channel strips, each with 8 touch-sensitive encoders and a motorized 100mm fader per channel
Accelerate your mixing with SnapShot Recall, customizable Layouts, and Total Automation
Get quick access to multiformat sources and groups with user-definable Spill zones
Customizable modular I/O to match your needs
View metering, routing, panning, and EQ/dynamics visual feedback on high-resolution TFT displays
Mix multichannel audio in up to 7.1 surround
Control multiple DAWs with the EUCON Hybrid option
Avid System 5 Fusion - Flexible, mid-size digital audio console with EUCON Hybrid control
Overview
Music studios and post houses around the world have embraced the S5 Fusion as the powerful, flexible, and affordable, high-quality sound audio mixing solution they’ve been looking for. Derived from the best-selling System 5 series of high-performance consoles, you get the best of both worlds—a dedicated, expandable DSP engine and complete EUCON Hybrid control in one package, enabling you to gain deep tactile control over multiple external DAW channels, as well as the console’s own DSP channels, simultaneously, with more mixing power under your fingertips—all at a great price point.
Key Features
Expand the ergonomic surface to suit your project scope, from 8 to 56 faders/channel strips
Increase your processing power with up to 116 channels of dedicated DSP
Gain routing flexibility with 256 channels of MADI connectivity (expandable to 512)
Accelerate your mixing with SnapShot Recall, customizable Layouts, and Total Automation
Access multiformat sources and groups quickly using user-definable Spill zones
Customize the modular surface and I/O for your needs
View metering, routing, panning, and EQ/dynamics visual feedback on high-resolution TFT displays
Mix in up to 7.1 surround with twin joysticks and up to 26 analog outputs
Control of up to five different DAWs simultaneously through EUCON Hybrid
Avid System 5-B - High-performance, scalable, large-format digital audio console for broadcast
Overview
With new HD standards being adopted by TV stations and homes throughout the world, audiences are demanding a higher quality, surround sound experience. Broadcast audio operators also have to handle increasingly complex productions with ease—from news to sports to live show production, in the studio or on the road, with a zero fault tolerance. That’s why modern broadcasters look to the System 5-B—a standalone, high-performance digital audio mixing system that represents the pinnacle of broadcast digital audio console design to handle any challenge.
Get power on demand to mix the biggest television shows and live events with a powerful DSP Super Core engine, industry leading ergonomics, and flexible modular I/O options. Gain rich visual feedback from LED color coded rotary controls, as well as high resolution TFT’s for metering, routing, processing, and more. And with 100% redundancy, you get peace of mind during every second of your broadcast.
Key Features
Handle the largest productions with the DSP SuperCore engine (expandable to over 450 channels)
Expand and customize the modular surface and I/O for your needs
Control 48 multiformat Masters (configurable as stereo to 7.1) on any channel strip
Get precision control with eight touch-sensitive knobs and a motorized 100mm fader per channel
Setup and control your mixes with SnapShot Recall and GPI for live events
Configure and recall custom surface assignments using Layouts
Get quick access to multiformat sources and control groups with user-definable Spill zones
Enable hassle free feeds with the N-1 mix-minus bus
View metering, routing, panning, and EQ/dynamics visual feedback on high-resolution TFT displays
Integrate with Ross OverDrive systems and facility routers
Mix multichannel audio, up to 7.1 surround
Tackle the largest productions with up to 32 MADI ins and outs (2,048 x 2,048 channels @48 kHz)
Get 100% reliability with the completely redundant DSP engine, including channels, MADI router, and MADI I/O
Avid Max Air - Advanced, ergonomic digital audio console for broadcast
Overview
With HD standards being adopted by TV stations and homes throughout the world, audiences are demanding a higher quality, surround sound experience. Broadcast audio operators also have to handle increasingly complex productions with ease—from news to sports to live show production, in the studio or on the road, often with a very small space to work in. For these reasons, modern broadcasters look to the Max Air, a standalone, compact digital audio mixing system designed to handle any challenge—at an affordable price point. Based on the proven technology of the System 5-B, Max Air shares the same DSP Core, I/O, integration with facility routers, and system redundancy—all controlled from an easy-to-operate, ergonomic control surface.
Key Features
Get easy access to functions using the central touchscreen, with high-res metering
Control 48 multiformat Masters (configurable as stereo to 7.1) on any channel strip
Get precision control with four knobs and a motorized 100mm fader per channel
Take control of your mix with Snapshot Recall, GPI, and Live Events System
Configure and recall custom surface assignments using Layouts
Get quick access to multiformat sources and control groups with user-definable Spill zones
Control your routing with confidence utilizing the N-1 mix-minus bus
Expand and customize the modular surface and I/O for your needs, including a fiber remote mic solution
Bring important channels to the center Master Module, with SuperChannel and eight Assignable faders
Integrate with Ross OverDrive systems and facility routers
Mix multichannel audio, up to 7.1 surround
Tackle large productions with up to 24 MADI ins and outs (1,536 x 1,536 channels @48KHz)
Get 100% realiability with the completely redundant DSP engine, including channels, MADI router, and MADI I/O
